Premise:

The story of American scientist J. Robert Oppenheimer and his role in the development of the atomic bomb.

Directors:

Christopher Nolan

Writers:

Christopher Nolan, Kai Bird, Martin Sherwin

Cast:

Cillian Murphy 	        ... 	J. Robert Oppenheimer
Emily Blunt 	        ... 	Kitty Oppenheimer
Robert Downey Jr. 	... 	Lewis Strauss
Alden Ehrenreich 	... 	Senate Aide
Scott Grimes 	        ... 	Counsel
Jason Clarke 	        ... 	Roger Robb
Kurt Koehler 	        ... 	Thomas Morgan
Tony Goldwyn 	        ... 	Gordon Gray
John Gowans 	        ... 	Ward Evans
Macon Blair      	... 	Lloyd Garrison
James D'Arcy     	... 	Patrick Blackett
Kenneth Branagh 	... 	Niels Bohr
RELEASE DATE RUNTIME ROTTENTOMATOES IMDB METACRITIC
July 21st, 2023 3hr TBD TBD TBD
  • Striker@lemmy.world
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    1 year ago

    I thought it was an absolutely amazing movie. The portrait it paints of Oppenheimer is a complicated man. The flim goes to great lengths to make the viewer understand Oppenheimer while not letting him off the hook. There’s much similarities between the themes used in the Batman movies and in Oppenheimer. They’ll use him when they need him but discard him once they don’t. This is a common theme present in Nolans work. Humans are fickle and two faced in Nolan movies. Nolan seems to have to cynical view of people.

  • JimmyMcGill@lemmy.world
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    1 year ago

    Thanks for this post. This is one of the things that I missed the most about reddit, getting to the main post after seeing a movie. Unfortunately it seems that the number of comments is not the same (expected) and still quite low so I’ll do my part and contribute my opinion.

    I’ll go a bit against the grain here and say that for me this film is not a 10/10 at all, like people are making it to be. It’s good and it has definitely it’s moments, but I found the timeline and so many arcs confusing and unnecessary. Sometimes everything is dished out at once, when it doesn’t require so, and it makes it hard to keep up.

    I’ll concede that I usually watch movies at home where I can have English subtitles on which usually help with some of the more baffled dialogue (and Nolan suffers this the most) but I don’t think it was because of that, that I felt this way.

    Once again it feels like Nolan is getting in his own way with all the time jumps and multiple timelines, and while for some movies that “feature” is THE movie, like in TENET or Inception, here it is not needed at all like in both of these movies, and it is not executed well (like it is done amazingly in inception where a 5 layered story is perfectly displayed and understood).

    In the end Oppie’s character also comes out as suprisingly bland, and while I appreciate that they didn’t make him neither a saviour or a villain, they also somehow managed to make him rather boring.

    In the end I would rate this movie around 8/10 or 7.5/10 because technically and artistically it has its moments but I feel like if this wasn’t a Nolan film it wouldn’t have this much hype behind it.

  • 'M' as in 'MANCY'@lemmy.ca
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    1 year ago

    I didn’t love it.

    I respect the technical mastery on display here. But this is my problem with a lot of Christopher Nolan movies: it’s devoid of any emotional connection. I just felt empty and hollow at the end of it. Didn’t help that the first 30 minutes felt so disjointed and the pacing really struggled. I’ve never been a fan of his sound editing/mixing and same applied here. It was loud and bombastic but half the time I couldn’t hear the damn dialogue. The movie was way overscored and I rolled my eyes at some unnecessary inserts and on-the-nose exposition.

    I also hated the way female characters were handled in the movie, just like most of Nolan’s previous work. I’m very iffy about the screenplay and editing too. The movie didn’t need the typical Nolan-esque non-linear format; it actually took a lot away from it.

    On the other hand, it was a god damn tour de force from Cillian Murphy and equally excellent work from Robert Downey Jr. Emily Blunt was also stellar in a very limited role and she made a meal out of what she could. Should be easy Oscar nominations for Murphy and Downey.

    Oh but that lead up to the final Los Alamos test was thrilling and expertly executed. Downey also crushed the last act of the film.

    Definitely some good stuff here but I’m underwhelmed by the overall product. But I say that about every Nolan movie, save for I guess The Prestige and Memento, and to a lesser extent, Dunkirk.

    • wilberfan@lemmy.world
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      1 year ago

      I didn’t love it even more than you.

      After waiting a month to see it in the true-IMAX theater that Nolan used for projection tests (tix were sold-out that far in advance, unless you wanted to sit in the first 2 rows)–I ended up walking out around the 90 minute mark.

      Other than ego, I cannot for the life of me figure out why Nolan felt he had to shoot a movie that is a lot of close-ups of actors talking indoors in full, 15-perf, 70mm IMAX.

      Bottom line is that I was just incredibly bored and emotionally uninvolved in anything that was happening. I’m quite familiar with post-war, McCarthy-era witch hunts, so there was no drama there for me.

      I enjoyed The Prestige and The Dark Knight–but Nolan just doesn’t impress me as a director any more.

      • Darryl R Scott@mastodon.social
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        1 year ago

        @wilberfan @mancy Oppenheimer represented Nolan’s strengths and weaknesses as a filmmaker.

        Nolan has never been afraid to challenge his audience intellectually, so the scenes where smart characters are engaged into rigorous scientific debate is where Oppenheimer works. For audiences who enjoyed Apollo 13, A Dangerous Mind and Hidden Figures, this film fits snugly into that category.

        But the characters are outdated stereotypes, especially the women, wasting the talents of Pugh and Blunt.