The Writers Guild of America responded on Tuesday to the latest proposal from the studios, as the sides continue to try to resolve the three-month old writers’ strike. While the Alliance of M…
It’s something more established in other countries.
So, I can see some writers not wanting projects to be developed for say the UK rather than US just to get the auteur projects.
But it is very niche, and there should be a way to create a very narrow provision for those specific situations.
Besides, even some true auteurs, adapting and extending their own works, seem to be able to work with others in the writers room and give them credit. e.g., Neil Gaiman took lead script credit for all the episodes of Good Omens season two, but had 4 other writers in the room, and gave each a ‘minisode’ credit for embedded flashbacks.
Taylor Sheridan, by contrast, seems to want the universe to be designed to fit his own model.
It’s something more established in other countries.
So, I can see some writers not wanting projects to be developed for say the UK rather than US just to get the auteur projects.
But it is very niche, and there should be a way to create a very narrow provision for those specific situations.
Besides, even some true auteurs, adapting and extending their own works, seem to be able to work with others in the writers room and give them credit. e.g., Neil Gaiman took lead script credit for all the episodes of Good Omens season two, but had 4 other writers in the room, and gave each a ‘minisode’ credit for embedded flashbacks.
Taylor Sheridan, by contrast, seems to want the universe to be designed to fit his own model.