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Cake day: August 1st, 2025

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  • @ook@discuss.tchncs.de I know you were just kidding, but Patricia Laffan was actually a really interesting person. As I wrote in my review of this movie:

    She wrote short stories, and also radio scripts in fluent French. Her hobbies were “fast cars and breeding bull terriers”, she never married and had at least one girlfriend, and besides her acting she produced fashion shows. Her costume for this movie was designed by John Sutcliffe, “a British fetish clothing designer and publisher of the fetish magazine AtomAge” who influenced the leather catsuit of Emma Peel in The Avengers as well as some of the later “punk look” of the 70s.

    https://slrpnk.net/post/16894691/13027879


  • Just watched this movie last night, it was definitely worth watching.

    It suffers a bit from comparison to “The Right Stuff” movie which is also about the early troubled days of a space program – Tom Wolfe mighta been a reactionary git, but he had an eye for detail, and the Honnêamise slice-of-life events seem kinda bland by comparison.

    The chase scene in the middle seems a little out of place. It happens, then there’s no mention of it again. Almost like it’s thrown in to wake people up. However, the action towards the end is well-done and effective.

    The Riquinni character is unfortunately underdeveloped. To that end she recalls Nausicaa in Miyazaki’s film: a saintly figure that is just a little too perfect, such that they become almost a caricature. This madonna/whore nature is emphasized by the way we first see her, handing out religious pamphlets in a pleasure district. I don’t think it’s a spoiler to say there’s a MeToo event, and OP reviewer says they can’t imagine why it was added. The wikipedia page has a good overview of how it might be explained thematically, but I agree with OP that it’s inexcusable. The same idea could have been expressed in a less gratuitous way. It’s a reminder that movies in that time were mired in a culture where such actions were considered unremarkable, and this is not the only movie that suffers from such depictions. So, to be clear, this is a flawed movie.

    It does several things right tho, including the worldbuilding, which has a nice feel to it that is somewhere between late !raygungothic@piefed.social and early !cassettefuturism@lemmy.world . I was a little surprised to see there wasn’t a manga behind this as in Nausicaa or Akira since it was so well developed, but wikipedia says they explicitly focused on worldbuilding. The “oxen pulling carts with cutting-edge flying tech” scene would later be re-used by Miyazaki in The Wind Rises and is a striking visual epitome of the mood they’re going for.

    Anyway, I think anyone interested in what kinds of thing anime can achieve, should take a look at this despite the flaws mentioned above.




  • First of all, check out !nin@lemmy.world

    Second, I like this mix that re-frames the soundtrack as an EP:

    1. Init/Shadow Over Me
    2. I Know You Can Feel It
    3. Target Identified/Infiltrator/As Alive As You Need Me to Be
    4. Who Wants to Live Forever?
    5. New Directive

    So you got the 4 lyrics songs, introduced by the instrumentals that echo them, and with a 5th instrumental song as the end credits. It’s basically an EP, so you can compare it to the events/violence/witch EPs.

    It’s a slight step down. With the previous EPs, I get the feeling Trent and Atticus had new ideas they wanted to explore. For this EP, it sounds like they were hired for a job. (hey nothing wrong with that, but the motivation’s different.)

    “Init/Shadow Over Me” is ok, kinda standard. “I Know You Can Feel It” is probably the best of the four, though still just re-hashing older ideas. “Target Identified/Infiltrator/As Alive As You Need Me to Be” is a great song but I associate it too much with that trailer involving the guy from Morbius. “Who Wants to Live Forever?” really should be the best song, BUT by all the gods that woman’s voice is so weak! Is that some kinda post-ironic thing they’re going for that I just don’t get? “New Directive” is just another instrumental, the person who remixed this coulda left it off. Tho I do gotta say I like how the instrumentals reference both Daft Punk ‘s and Wendy Carlos’ soundtracks.