And if, heaven forbid, it’s not either of those, it is now apparently acceptable to refer to it as a “clap back.” In the newspaper of all places.

Furthermore, as a creation of Victor Frankenstein, calling the monster “a Frankenstein” is no more inaccurate than calling Guernica “a Picasso,” or a 1996 Camry “a Toyota.”

“It’s bullshit, man, it’s just bullshit.”

“Alright, that’s it! It’s super-duper double-dog war times infinity, no backsies!”

“I’m no man either, motherfucker!”

whack

That’s either Hayao Miyazaki or Japanese Colonel Sanders, it can be hard to tell the difference sometimes

It’s Denis Villeneuve but I’ll be damned if that isn’t the least Denis Villeneuve-lookin’ picture of Denis Villeneuve I’ve ever seen

Might’ve even scuffed up the rocks, jerk.

I was under the impression it got a big hero moment in one of the new Jurassic World movies fighting some even scarier double-dog-T-rex but I’ll be damned if I’m gonna take the time outta my day to watch the movies and find out.

You mean the one that staged an escape during a widespread power grid failure, leaving countless innocents to die while it disappeared to lavish in its tropical island paradise? Only to return, inexplicably, in the sequel, pretending all of a sudden to be the hero?

Nah, that doesn’t sound like him at all!

Yeah but those don’t usually go unsolved for 150 years and it seems very unlikely that any of the British historians involved in this project would be able to make enough meaningful changes to the American sociopolitical landscape to offer any help on that subject.

Ted Cruz can be more than one thing. Don’t pigeonhole Ted Cruz.

See that’s interesting, couple days now I’ve been having issues with anything past page 1 getting stuck loading indefinitely, and I’m on desktop; and now that you mention it it does only happen when I’m logged in. So whatever it is, it’s not just you, if that’s any consolation.

“Sike!”

That was pretty much the year movies became that big; Griffith’s Birth of a Nation, released the previous year, more or less revolutionized the filmmaking process and near-singlehandedly codified long-form cinema as we know it today. Of course it also made the KKK the good guys, so, you know, some aspects coulda been better.

Mary Pickford, Charlie Chaplin, and Douglas Fairbanks woulda been the big names at the time; D.W. Griffith’s Intolerance came out about three weeks prior and was cleaning up pretty well at the 1916 equivalent of the box office

this is the weirdest political compass I’ve ever seen

Maaan, all I got was some stupid spatulas.

Once had an order arrive on-time, but the tracking information never got updated and kept telling me the package was “running late” and pushing back the expected delivery date, and then after like a week of that they just said “sorry, it’s been delayed indefinitely” and gave me a refund. For an order I’d already received. And I mean, I wasn’t gonna be the one to tell 'em they were wrong.

To be clear, this isn’t someone actually connected to the Cushing estate saying “hey man, that’s not cool,” because the estate did actually agree back when the film was being made eight years ago; this is some other studio claiming that, actually, it has the exclusive rights to puppeteer Peter Cushing’s digital ghost, because of some contract he signed back in the '90s or whatever.

'Cause, y’know, nothing quite says “justice at work” like watching the all-consuming media conglomerate duke it out with the copyright trolls over who gets to do the deepfakes.