• 0 Posts
  • 9 Comments
Joined 1 year ago
cake
Cake day: June 11th, 2023

help-circle



  • There are a few different issues interacting here.

    1. The “family mode” users that require PIN are a child protection measure, and are not connected to Family Sharing. Remove the PIN from all adult accounts. Now you will see your whole library and be able to go to the store, and when you switch to your son’s user, he will not be able to go to the store and will only see the games you have done “Add to Family Games” on. This is how my library is set up: sharing to my partner and child, only child’s account has PIN.

    2. I don’t know the cause of your experience with the keyboard, but if you remove the PIN from your own account, that should make it less painful.

    3. This is just the way the Steam client works, not a Deck-specific feature: you are logged into one account until you change it. The PS5 is the same way.

    4. In my experience, failure to separate game state between users is a game-by-game problem. Most Windows-native games running in Proton separate their saves by user correctly. (I do not know whether this happens because the Deck generates a completely clean Proton environment for each Steam user, or whether the Proton environment is shared and the game is just doing what it would do on a Windows PC to separate saves.) The games where I have seen saves wrongly shared, ironically, are all games with native Linux ports.

    5. If you haven’t already, switch to your son’s account, unlock the PIN, and go through all the Steam multiplayer/chat settings. We have all that turned off for our child. As far as I know, a game family-shared to a user should behave exactly as if the user owned the game, from a functional point of view.





  • A few I’ve enjoyed that aren’t mentioned elsewhere so far:

    • Robin McKinley, The hero and the crown. If you’ve never read this, please, just go and do so, if you read nothing else on this entire response. The Newbery Medal it got was well deserved. (And it has princesses and dragons and wizards.)

    • Louise Cooper, Indigo (8 short books). Sealed ancient evil, cursed protagonist on heroic journey, talking animal companion. Just lots of fun all around.

    • Lois McMaster Bujold, The curse of Chalion series. Maybe a little more politics than you are looking for, but the divinity/magic system works well and I appreciate that the viewpoint characters are generally kind of old and busted. She is of course better known for the (excellent) Miles Vorkosigan military space opera series.

    • Sarah Monette and Elizabeth Bear, A companion to wolves et seq. Exactly what it says on the tin; the catch is that the viewpoint character of the first book becomes bonded to a female wolf, which radically changes how his culture sees him.

    • Elizabeth Moon, The deed of Paksenarrion. Basically what you’d get if you wrote down a really good D&D campaign (but mostly for only one viewpoint character). Formulaic in spots but enjoyable and well executed.

    Other replies have mentioned Steven Brust’s Vlad Taltos books, which I enjoyed a lot; and David (and Leigh) Eddings, which were my first big-kid fantasy novels (as for many other other American children of the 70s and 80s). Another long series in something of the same vein as Eddings is Raymond E. Feist’s Riftwar saga; I haven’t read the entries after 2000, but before that it was a lot of fun.