• pory@lemmy.world
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    1 year ago

    This guy thinks people that know how to download TV shows have “other subscriptions to rotate out”

    • beefcat@lemmy.world
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      1 year ago

      It’s funny how people on this site want creatives to get paid but also think their work should be handed out for free.

      These people live off residuals. It’s a big sticking point in the ongoing WGA and SAG strikes.

      • DosDude👾A
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        1 year ago

        I think the biggest problem is fragmentation. Piracy is a service problem. Before all streaming split from Netflix I barely pirated anymore. Now it’s the most convenient option.

        • beefcat@lemmy.world
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          1 year ago

          The problem there is you probably don’t want Netflix to be $90/mo. In order for every thing to be on one service, either the amount of content needs to go way down or the price needs to go way up.

          This stuff is expensive to make, and it will get more so once the strikes are over and writers and actors start actually getting compensated fairly for content made for streaming.

          • DosDude👾A
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            1 year ago

            Convenience means more subscribers means more money coming in. Your rationale of 90 dollars overvalued. Just look at the music business these days. Or ebooks/audiobooks for that matter. There’s no other reason to make everything exclusive to one streaming site other than greed.

            Take a page from the games industry. Make new shit exclusive on your platform and then rake in the money via all streaming sites. The same way syndication works in the old days.

      • pory@lemmy.world
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        1 year ago

        Ah yes, residuals, famously something that streaming services provide. Paying for a sub service isn’t supporting creators, it’s exclusively supporting an army of middlemen and marketers. If you want to support creatives, buy physical media (I own some blu rays even though no device in my home is capable of playing them) or merchandise.